The Subjectivity of Historical Revisionism
The game was simple but difficult.
My first wife was an orchestra clarinetist. I had played in countless orchestras with my trumpet. I never really fit in with the academically inclined orchestra crowd but she did so she would have small gatherings to eat and drink at our home.
I could only handle sitting and chatting with them for a short time before I either started throwing verbal bombs in the mix to keep things interesting (which inevitably set the stage for a fight with my wife after all had gone home) or checked out completely (a different but similar sounding fight later). I finally came up with a game that they could play so I could go into my office and write or drink or drink and write.
I was a middle school music teacher and my curriculum for eighth grade included some college music history.
“OK. I teach a class on the Romantic Period of music for my kids. I get forty minutes to cover composers from 1770 to 1850. This includes Brahms, Liszt, Mendelssohn, Verdi, Wagner, Sibelius, Schubert, and scores more as well as over 5,000 known pieces of music of all genres. Forty minutes. I have to boil the whole period down to roughly six pieces of music at three minutes apiece to encapsulate all of that.
Here’s the game. You have forty minutes to teach a class on the music of the Twentieth Century. You get ten pieces and composers. Go!”
After around thirty minutes, I'd come back in, get another drink, and they'd inevitably have their ten. I'd look at it and comment, "So. You guys don't think jazz should be included?" They'd all growl and go back in to it.
Keep in mind, this game was about determining what specific art would be included for a limited attention span and, in the most subjective way, indicate what art you value first and foremost.
Were I to play that game today with someone my nephew's age, an additional criteria would be added. It would not be enough that the music was important or influential or even good. The addition to the type of person the artist was (or is) has become a part of the game.
It's all revision by exclusion.
Assessing the merit of art or historical significance is more than a popularity test. There have been plenty of popular artists, scientists, statesmen, and entrepreneurs in our history who have become unpopular and even unknown over time and who have been weeded out of curation.
Why are we exposed to the art we are exposed to? We certainly aren’t the kind of creatures who, when seeking out information, go to a library index file and pour through thousands of entries to find the hidden treasures any more. No, we now have a screen which we type in “What were the best novels of the 20th Century?” and are fed a result.
According to Goodreads.com, there are 164 books listed under the heading The ACTUAL 100 Best Novels of the 20th Century.
As soon as you start to apply the Woke Metrics (you know, the yardstick that dismisses the accomplishments of Winston Churchill because he was a bigot) these lists start to narrow significantly. Using that criteria (which in the newspeak of that progressive cultmind must come before merit, quality, or theme) the only list that exists is The 100 Best Novels No One Has Ever Heard Of by People No one Has Ever Read.
As I wrote, this sort of assessment can't simply be a popularity test. If it were, Fifty Shades of Grey and The Harry Potter books would top the list.
When I play the game, I’m looking for a few things to merit inclusion in the tiny lists:
How influential was the work on those that followed?
How indicative of the time and place is the work?
Is the work limited in scope or more universal in theme?
There is a scene at the beginning of the Amy Poehler film Moxie where the new student challenges the teacher on the assignment of reading The Great Gatsby.
The scene is fun and pointed. Ike is a hoot as the teacher. Had I been her teacher I would have responded by asking what she thought was a better choice. She might have a novel written by a black woman that encapsulates the American response to the 1918 pandemic in excess and mystery. She might have an example of a novel written that explores the notions of class and the very essence of the American Dream following the horrors of WWI. If she has a suggestion of a novel written by someone not white and not male that deals so eloquently about justice, power, wealth, betrayal, and several classes of Americans who have assumed skewed worldviews, mistakenly believing their survival lies in stratification and reinforcing social boundaries, let's read that!
The issue at hand with much of the faddish push to classify certain artists and historical figures as unassailably evil and worthy of complete erasure is that the most strident either have nothing with which to substitute for the thing they deem canceled or they have replacement art that is not up to the challenge. It isn't that they don't have every right to express their grievance. History (and not merely American history) is littered with people passed over for reasons beyond merit or time as well as people lauded and magnified for rationale limited to race, sex, and religion.
Anger and grievance is not a replacement for a solution.
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For much of the past year I've been incredibly frustrated with this push for revision in our history. San Francisco schools voting to replace Lincoln with someone more influential historically on the rights of African Americans? That's fucking nuts, man.
An English teacher in Massachusetts successfully convinced her school's administrators to remove Homer's The Odyssey from its curriculum because of its alleged sexism. Another English teacher in Seattle said he would "rather die" than teach The Scarlet Letter in class. Mark Twain is suspect because of his portrayal of black people in The Adventures of Huckleberry Finn.
To Kill a Mockingbird, once the City of Chicago book of the month, is now considered a no-go because it glorifies "white saviorhood" through the character of Atticus Finch. The novels featuring Sherlock Holmes should be tossed because author Arthur Conan Doyle included racist language. The author of the Little House on the Prairie books, Laura Ingalls Wilder, was stripped of a literary honor because of the "anti-Native and anti-Black sentiments in her work."
Throwing the shade of accountability on someone like J.K. Rowling seems excessive but more legit because she is still alive and reaping benefits from the sales of her writing. I may disagree with the rationale behind the call-out but it is only slightly different from Major League Baseball boycotting Georgia for re-enacting Jim Crow voting law.
Homer? Lincoln? Twain? All dead. No accountability to exact and all we have is the work left to speak for them.
For much of the past year, this stridency has driven me a little crazy but I realized recently that, especially in the digital age where so much art has been transposed into bytes, no one can prevent me from reading To Kill a Mockingbird or watching the Gregory Peck film. No one can prevent me from enjoying a Woody Allen film or a Harry Potter novel or celebrating the heroism of Churchill and Lincoln.
I love the music of David Bowie because it's great music. Does the fact that he had routine amounts of sex with underage girls dampen my enjoyment? Nope. Will it trigger someone else? Maybe. And it is their choice to avoid his music if they choose. It is not within their power to limit my choice as it should not be within my power to force it upon them.
History, as is art, trends toward subjectivity. History, after all, is just a series of stories we tell each other and stories are always told from a lens of the teller. History is less fact than it is an interpretation of existing facts and illusions. Do I believe, as the authors of the 1619 Project suppose, that America was founded in slavery? No. Do I believe that this means I can learn nothing from the stories they tell? Again, no.
Placing things into a larger perspective is as easy as acknowledging the horrors of the Civil War and still being able to comfortably have an Honest Abe Burger at the now closed Lincoln Restaurant in Chicago.
Now I'm going to go curl up and watch The Purple Rose of Cairo, then read The Great Gatsby while listening to Michael Jackson.
