Who has a right to tell what pretend stories? The answer is simple: Anyone who doesn’t suck at writing.

Cummins’ American Dirt doesn’t take the story of immigrants away from actual immigrants. They have their stories. They should tell them. And here’s where the rub is: they must have the platform to tell those stories. That is, publishers ought to be looking for diverse voices. Not simply to fill a skin color or gender quota, but because diversity is a great thing for creativity. I don’t know what the publishing industry is like for a person of color. I do know that I’ve come across a lot of agents and publishers who are looking specifically for women and people of color, which rules me out. Which is why I think the diversity should be about the stories. What’s good? What’s got a new approach to a familiar tale? Perhaps that comes from fewer white men. Sure, I don’t care. That just makes me have to work harder to be better. Feels like a good challenge to have.